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Omeros

  • Jun. 22nd, 2009 at 8:30 PM
Omeros
Derek Walcott
325 pages

Omeros is an epic poem, loosely modeled on The Odyssey. Set in the Caribbean, its main characters are a collection of fishermen, a mysteriously beautiful woman named Helen, and a retired English major and his wife. The book jacket described a scene where one of the fishermen is transported to his ancestral African village. The led me to believe his journey was a central element of the story, but this was just one of many vignettes in this book.

Having enjoyed The Odyssey, I really wanted to like Omeros, too. However, the story didn't "flow"; it seemed to dart all over the place, with some sections set in the Caribbean, and others in London and America. I couldn't find the "glue" that made it all hang together. Significant events, like the death of an important character, were told in such a way that I had to re-read the passage to "get it." However, the story of the major and his wife, living out their final years on the island, was most poignant. Some passages in this work were quite lyrical, and I enjoyed the rhythmic language. However, my overall impression was less than positive. ( )

Desertion

  • Jun. 18th, 2009 at 8:56 PM
Desertion
Abdulrazak Gurnah
262 pages

Desertion opens with an Englishman, Martin Pearce, stumbling into an east African town, exhausted and potentially injured. He is taken in by Hassanali, who found him in the streets. During his recovery, Pearce falls in love with Hassanali's sister Rehana. The stage is set for a tale of interracial love in colonial Africa, c. 1899. And then suddenly, as Part I comes to an end, it becomes clear there is more to this story than the European man and native woman. As the narrator says, It is about how one story contains many and how they belong not to us but are part of the random currents of our time, and about how stories capture us and entangle us for all time. (p. 120). I read that passage and was hooked; entangled for all time, so to speak.

Gurnah fast-forwards from the story of Martin and Rehana to 1960s Zanzibar on the brink of independence. The narrator is Rashid, the youngest in a family that includes sister Farida and brother Amin. Farida doesn't do well in school, and takes up dressmaking while secretly writing poetry. Amin finishes school, but certain events keep him rooted in Zanzibar. He cares for his parents and shepherds the family through tumultuous years of government unrest. Rashid appears to be an underachiever, and yet is the only one to qualify for university education in England. He leaves Zanzibar just before independence, and struggles with finding his way in a strange land. He is not entirely happy with what he becomes:
In time I drifted into a tolerable alienness. Living day to day, this alienness became a kind of emblem, indeterminate about its origins. Soon I began to say black people and white people, like everyone else, uttering the lie with increasing ease, conceding the sameness of our difference, deferring to a deadening vision of a racialised world. For by agreeing to black and white, we also agree to lmit the complexity of possibility, we agree to mendacities that for centuries served and will continue to serve crude hungers for power and pathological self-affirmations. (p. 222)

The story eventually comes full circle. One story did, indeed, contain many. The connections unfolded in a tantalizing, gradual way and the overall effect was quite poignant. A very enjoyable read. ( )

The Shipyard

  • Apr. 21st, 2009 at 12:32 PM
The Shipyard
Juan Carlos Onetti
186 pages

As stated on the back cover, The Shipyard is "allegorical, reflecting the decay and breakdown of Uruguayan society and modern urban life." I found it intriguing, mesmerizing, and troubling all at the same time. Petrus, a shipyard owner, hires Larsen, a man with a scandalous past, as his General Manager. The remaining staff at the shipyard include an Administrative Manager (Galrez), and a Technical Manager (Kunz). These are three roles Petrus deems necessary to demonstrate to his creditors that the shipyard is indeed a going concern. Yet there's really no business being conducted here. The owner is in another town, supposedly working through bankruptcy proceedings in court. The three employees come to work, review documents, and keep the accounts -- including crediting themselves with salary they never receive. There is an occasional glimmer of hope that the shipyard will rebound, but much like the legal case in Dickens' Bleak House, there's one setback after another.

Larsen is a lonely and unsavory man. He previously ran a prostitution ring, and is trying to recover from that scandal by reviving the shipyard. He lusts after the novel's female characters: Petrus' mentally disabled adult daughter, the daughter's maid, and Galrez's pregnant wife. But his relationships with both women and men are superficial. But this novel is more about atmosphere and ideas than characters and relationships. While I prefer character-driven literature, there was something about The Shipyard's spare prose and bleak imagery that drew me in and lurked in my thoughts even when I wasn't reading. ( )

Iphigenia

  • Apr. 12th, 2009 at 7:16 AM
Iphigenia
Teresa de la Parra
354 pages

First published in 1924, Iphigenia is a frank portrayal of patriarchal society. The title is a reference to Greek mythology, where Iphigenia, daughter of Agamemnon, is the victim of human sacrifice brought about by her father. In this book, the main character, Maria Eugenia, is abruptly transported from Paris to her native Caracas after her father's death. There she lives under the watchful eyes of her protective grandmother and aunt. She is young and self-centered, aware of her own beauty but very naive -- both about relationships with men, and the constraints placed on women of that era. Her grandmother and aunt do all within their power to limit Maria Eugenia's contact with men, except for men specifically selected for their suitability.

While her female relatives aim to keep Maria Eugenia in a cage, her Uncle Pancho strives to set her free. He introduces her to a woman friend, Mercedes Galindo, who is trapped in an unhappy marriage but makes the most of it by hosting dinner parties full of intellectual conversation. Pancho also teaches Maria Eugenia about what he calls the "second religion" in Latin American culture: men.

"Like almost all the women in Caracas ... generally a single religion is not enough for them and they have two. One they practice at church ... The other they practice at all times and in all places, and it is what they call 'having a heart and feelings.' The God of this second religion is one of the men in the family. It may be the father, the brother, the son, the husband, or the sweetheart, it doesn't matter! The essential element is to feel a masculine superiority to whom they can yield a blind tribute of obedience and subjection." (p. 75)

Like most women of her time, Maria Eugenia does not have the option to live as an independent woman; marriage is the only path available to her. Over the course of this novel Maria Eugenia considers relationships with two very different men: one appears to offer happiness and adventure, but she would be shunned by society. The other offers financial security, material possessions, and little else. And when the time comes to choose, Uncle Pancho, who has been the voice of reason throughout the novel, is not available to guide her decision. Either way she must sacrifice herself.

Iphigenia was a pioneering feminist work, and is an excellent read for anyone interested in women's history. ( )

The Ventriloquist's Tale

  • Mar. 21st, 2009 at 7:34 PM
The Ventriloquist's Tale
Pauline Melville
357 pages

Not only do we Indians know how to make ourselves attractive. We are also brilliant at divining what you would like to hear and saying it, so you can never be really sure what we think. ... Ventriloquism at its zenith. (p. 354)


Pauline Melville's debut novel is a multi-generational story of Amerindian people in Guyana. One thread in this novel focuses on Chofy McKinnon, a young man who leaves his rural village for the city of Georgetown, to find work that will support his wife and young son. In Georgetown he falls passionately for Rosa, a European woman visiting the country to conduct research. Chofy feels out of place in Georgetown, and escapes from his discomfort by spending most of his free time with Rosa in her bedroom.

Partway through Chofy's story, the reader is transported back in time to the early 1900s, when Chofy's Scottish grandfather first settled in the village, married two sisters, and fathered several children. Most of the novel centers on two of McKinnon senior's children: Beatrice and Danny, and on an English priest who traversed the country baptizing children and converting adults.

The story itself was interesting, if somewhat predictable, but Melville's descriptive prose brought the country and its native people to life. The imagery was so vivid; I often felt as if I were right there, experiencing the scenery, the heat, and the heavy rains. This was an excellent choice for my "Reading Globally" journey. ( )

The Unbearable Lightness of Being

  • Feb. 20th, 2009 at 3:00 PM
The Unbearable Lightness of Being
Milan Kundera
314 pages

Before I'd read 50 pages of this book, I realized it was more about ideas than about character, setting, or plot. These ideas were presented through two couples: Tomas and Tereza; Franz and Sabina. The men were philanderers, sleeping with many different women and thinking nothing of it. The women were just "there," existing only in relationship to the men. And the ideas? I am afraid I just didn't "get" what Kundera was trying to say. I don't shy away from ideas: I enjoy thinking, debate, and reading that introduces me to new concepts. But this book just didn't do it for me. There were, however, a couple of interesting passages.

The first half of the book provided insight to the title:
  • Parmenides posed this very question in the sixth century before Christ. he saw the world divided into pairs of opposites: light/darkness, fineness/coarseness, warmth/cold, being/non-being. One half of the opposition he called positive (light, fineness, warmth, being), the other negative. We might find this division into positive and negative poles childishly simple except for one difficulty: which one is positive, weight or lightness? (p 5)
  • And Sabina -- what had come over her? Nothing ... Her drama was not of heaviness but of lightness. What fell to her lot was not the burden but the unbearable lightness of being. (p. 122)

And I found a couple of nuggets worth pondering:
  • Our day-to-day life is bombarded with fortuities or, to be more precise, with the accidental meetings of people and events we call coincidences. (p.51)
  • From that time on she had known that beauty is a world betrayed. The only way we can encounter it is if its persecutors have overlooked it somewhere. (p. 110)
But that's about it. I guess this just wasn't my cup of tea. ( )

Reading Across Borders: 2009 Progress

  • Dec. 22nd, 2008 at 11:40 AM

Reading Across Borders – Progress as of June 30, 2009 (58 countries visited)
create your own visited country map

Books Read in 2009
  1. Czech Republic - The Unbearable Lightness of Being - Milan Kundera (review)
  2. Guyana - The Ventriloquist's Tale - Pauline  Melville (review)
  3. Venezuela - Iphigenia - Teresa de la Parra (review)
  4. Uruguay - The Shipyard - Juan Carlos Onetti (review)
  5. Tanzania - Desertion - Abulrazak Gurnah (review)
  6. St Lucia - Omeros - Derek Walcott (review)

Complete List of Countries Read (with links to reviews where available)
All "visits" are based on author's nationality, unless marked with an asterisk, which indicates "sense of place." 

North America

USA – The Grapes of WrathJohn Steinbeck (review)
Canada - Fall on Your Knees - Ann-Marie MacDonald (review)
Mexico - The Book of Lamentations - Rosario Castellanos (review)

Central America and the Caribbean
Haiti - Breath, Eyes, Memory - Edwidge Danticat (review)
St Lucia - Omeros - Derek Walcott (review)

South America
Argentina - My Name is Light - Elsa Osorio (review)
Brazil* - A Death in Brazil - Peter Robb (review)
Chile - Daughter of Fortune - Isabel Allende (review)
Colombia - One Hundred Years of Solitude - Gabriel Garcia Marquez (review)
Guyana - The Ventriloquist's Tale - Pauline  Melville (review)
Peru - Aunt Julia and the Scriptwriter - Mario Vargas Llosa (review)
Uruguay - The Shipyard - Juan Carlos Onetti (review)
Venezuela - Iphigenia - Teresa de la Parra (review)

Africa
Algeria - Women of Algiers in Their Apartment - Assia Djebar (review)
Congo/Brazzaville* - The Poisonwood Bible - Barbara Kingsolver
Egypt - The Yacoubian Building - Alaa Al Aswany (review)
Kenya - Unbowed - Wangari Maathai (review)
Morocco - Stolen Lives - Malika Oufkir (review)
Nigeria - Half of a Yellow Sun - Chimamanda Ngozi Adichie (review)
Sierra Leone - A Long Way Gone: Memoirs of a Boy Soldier - Ishmael Beah (review)
Somalia - Links - Nuruddin Farah (review)
South Africa - A Long Walk to Freedom - Nelson Mandela (review)
Sudan - The Translator - Leila Aboulela (review)
Tanzania - Desertion - Abulrazak Gurnah (review)
Zimbabwe - Don't Let's go to the Dogs Tonight - Alexandra Fuller

Europe
Albania - Broken April - Ismail Kadare (review)
Austria - The Piano Teacher - Elfriede Jelinek (review)
Czech Republic - The Unbearable Lightness of Being - Milan Kundera (review)
Denmark - Smilla's Sense of Snow - Peter Hoeg (review)
France - Suite Francaise - Irene Nemirovksy (review)
Germany - Night - Elie Wiesel
Hungary - Embers - Sandor Marai (review)
Iceland - Independent People - Halldor Laxness (review)
Ireland – At Swim, Two Boys – Jamie O’Neill
Italy - The Leopard - Guiseppe Tomasi di Lampedusa (review)
Netherlands* - Girl with a Pearl Earring - Tracy Chevalier
Norway - The Bookseller of Kabul - Asne Seierstad (review)
Poland – The PianistWladislaw Szpilman
Portugal - Baltasar and Blimunda - Jose Saramago (review)
Russia - The Master and Margarita - Mikhail Bulgakov (review)
Spain - The Shadow of the Wind - Carlos Ruiz Zafon (review)
Sweden - Astrid and Veronika - Linda Olsson (review)
United Kingdom - Black Swan Green - David Mitchell

Middle East
Afghanistan – The Kite Runner – Khaled Hosseini
Lebanon - Gate of the Sun - Elias Khoury (review)
Iran - Reading Lolita in Tehran - Azar Nafisi
Israel - A Woman in Jerusalem - Abraham Yehoshua (review)
Saudia Arabia - Girls of Riyadh - Rajaa Alsanea (review)
Turkey - My Name is Red - Orhan Pamuk (review)

Asia
Bangladesh - Alentejo Blue - Monica Ali (review)
China - Balzac and the Little Chinese Seamstress - Daj Sijie
India - The Inheritance of Loss - Kiran Desai (review)
Japan* - Memoirs of a Geisha - Arthur Golden
Myanmar* - The Lizard Cage - Karen Connelly (review)
Pakistan - The Reluctant Fundamentalist - Mohsin Hamid (review)
Sri Lanka - Mosquito - Roma Tearne (review)

Australia and Pacific
Australia - The Book Thief - Markus Zusak (review)
New Zealand - The Bone People - Keri Hulme (review)

Unbowed

  • Dec. 20th, 2008 at 9:06 PM

Unbowed

Wangari Maathai
296 pages

Wangari Maathai is a Kenyan activist who won the Nobel Peace Prize in 2004. She founded the Green Belt Movement, planting trees across Kenya to stop the soil erosion resulting from deforestation during the colonial years. She was vocal on both women's and environmental issues, challenging the government and organizing protests.

While her life has been interesting and her contributions significant, my attention flagged halfway through. The writing was uninspired, often with extraneous detail. There was little insight to her personal life and emotions, so she came across as single-minded. About two thirds of the way through this book, I set it aside to read something else. When I picked it up again I still couldn't get into it, and skimmed the last 100 pages. ( )

Lost in Translation Challenge: 2009

  • Dec. 10th, 2008 at 12:48 PM

 

January 1 - December 31, 2009

I've had a personal, perpetual Reading Across Borders challenge going for a couple of years now, and I plan to continue in 2009.  So it was really a no-brainer to sign up for the Lost in Translation challenge hosted by Frances from Nonsuch Book.  The challenge is to read six (6) books in translation. Frances has created a dedicated page for this challenge here.  My goal is to read ten (10) books in translation in 2009, and I'm hoping they are all by authors from countries I haven't "visited" yet (look here for a map and list of all countries visited).  I'm going to build my reading list as I go, rather than committing to titles now.  But here's a start (links go to reviews):

  1. Czech - The Unbearable Lightness of Being, by Milan Kundera
  2. Guyana - The Ventriloquist's Tale, by Pauline Melville
  3. Venezuela - Iphegenia, by Teresa de la Parra
  4. Uruguay - The Shipyard, by Juan Carlos Onetti
  5.  

Broken April

  • Dec. 9th, 2008 at 9:20 PM

Broken April
Ismail Kadare
216 pages

He tried to call to mind families that were not involved in the blood feud, and he found no special signs of happiness in them. It even seemed to him that, sheltered from taht danger, they hardly knew the value of life, and were only the more unhappy for that. (p. 34)

The people of the High Plateau of Albania are governed by the Kanun, a set of laws passed down from generation to generation. Broken April deals with the aspects of the Kanun pertaining to murder, which often lead to blood feuds lasting many years. The main character, Gjorg, has just killed a man, as required to avenge his brother's death in a 70-year-long blood feud with another family. Now Gjorg has 30 days' truce to spend as he wishes, before he is either sequestered in a tower or loses his own life. But first, he must travel a long way to pay the "blood tax" required after a killing. En route to paying the tax, he encounters a young newly-married couple travelling in the region. He is captivated by the young bride, and she is appalled by the brutal customs in this part of her country.

Kadare also reveals the economic engine of the blood feuds. In one particularly disturbing segment, the Steward of the Blood is reviewing official records, noting that killings had occurred daily for nearly two centuries. On the day Gjorg committed murder, there was only one killing -- but this narrowly averted a crisis for the Steward of the Blood. The local economy depended on the tax revenues, and far too many disputes were settled with violent means.

Broken April was suspenseful, disturbing, and oddly compelling. As I approached the end of the book I found myself setting it aside every few pages to digest the deeper meaning of the story. Highly recommended; a thought-provoking read. ( )

Girls of Riyadh

  • Dec. 2nd, 2008 at 5:01 PM
Girls of Riyadh
Rajaa Alsanea
281 pages

Gamrah, Sadeem, Lamees, and Michelle are young, well-off, educated Saudi women. Having completed secondary education, they are looking ahead -- some to university, and all to marriage. Their story is told by an anonymous friend, via weekly e-mails sent to a far-reaching distribution list. The messages create a sensation in Saudi Arabian society, by revealing the "real life" feelings, hopes, and aspirations of these women. The weekly messages also cast Saudi men in a fairly negative light: fathers and uncles are controlling, making decisions about the women's lives without consultation. Young male prospects generally see women as fit for one thing only. And yet, everyone in this story is constrained by the conservative culture. Even the philandering young men are bound by tradition and family expectations concerning marriage. No one is free to choose a life partner based on love alone, even though they all dream of this possibility.

While this book is a light read, and might be billed by some as "chick lit," it really captured my attention. Using "scandalous" e-mails to convey the story reminded me of 19th-century serializations, with a high-tech twist. This is one of the few books I've read about contemporary Muslim culture where I felt I was truly inside women's heads. Recommended. ( )

My Name is Light

  • Nov. 28th, 2008 at 6:38 PM
My Name is Light
Elsa Osorio
356 pages

My Name is Light opens with Luz, an Argentinean woman in her twenties, arriving in Madrid to meet her biological father Carlos for the first time. Luz learned in her teens that she had been adopted into a prominent family, and she set out to learn more about her origins. The reader learns these details as Luz tells her story to Carlos. Both Carlos and Liliana (Luz's biological mother) were political activists in the 1970s. The military-led Argentine government systematically "disappeared" subversive individuals, including Liliana. Carlos escaped to Spain.

The circumstances surrounding Luz's adoption, and the way in which she discovered the truth about her parents, had all the makings of a fascinating story. But this book was either poorly written or poorly translated, and failed to live up to its promise. Attempts to create suspense or emotion fell flat. Tense switched from past to present in ways that didn't quite "flow" And the point of view shifted between first, second, and third person, seemingly at random. This was most prevalent in passages concerning Luz's adoptive father Eduardo, where he would first be referred to in the third person, by name, and then in the second person, as if Luz were speaking to him.

The basic premise of this book -- the welfare of babies born to pregnant political prisoners -- could make for a dramatic, compelling story. Unfortunately, this book was so full of flaws that it was all I could do to finish. ( )
Reading Across Borders – Progress as of December 31, 2008 (52 countries visited)
create your own visited country map 

I “visited” 20 new countries in 2007, mostly through the New York Times Notable Books challenge. In 2008, I will use my Read the Nobels project to kick-start my journey. Overall I’d really like to visit 20 more new countries this year. These include:
  1. Italy - The Leopard, by Guiseppe Tomasi di Lampedusa (completed 1/27/2008 - review)
  2. Sweden - Astrid and Veronika, by Linda Olsson (completed 1/28/2008 - review)
  3. Turkey - My Name is Red, by Orhan Pamuk (DNF 2/23/2008 - review)
  4. Haiti - Breath, Eyes, Memory by Edwidge Danticat (completed 3/1/2008 - review)
  5. Morocco - Stolen Lives, by Malika Oufkir (completed 3/7/2008 - review)
  6. New Zealand - The Bone People, by Keri Hulme (completed 3/30/2008 - review)
  7. Somalia - Links, by Nuruddin Farah (completed 5/16/2008 - review)
  8. Algeria - Women of Algiers in their apartment, by Assia Djebar (completed 6/16/2008 - review)
  9. Austria - The Piano Teacher, Elfriede Jelinek (DNF 8/16/2008 - review)
  10. Portugal - Baltasar and Blimunda, by Jose Saramago (DNF 8/2/2008 - review)
  11. Sri Lanka - Mosquito, by Roma Tearne (completed 8/20/2008 - review)
  12. Iceland - Independent People, by Halldor Laxness (completed 8/29/2008 - review)
  13. Hungary - Embers, by Sandor Marai (completed 9/13/2008 - review)
  14. Brazil* - A Death in Brazil, by Peter Robb (completed 10/30/2008 - review)
  15. Denmark - Smilla's Sense of Snow, by Peter Hoeg (completed 11/14/2008 - review)
  16. Spain - The Shadow of the Wind, by Carlos Ruiz Zafon (completed 11/20/2008 - review)
  17. Argentina - My Name Is Light, by Elsa Osorio (completed 11/28/2008 - review)
  18. Saudia Arabia - Girls of Riyadh, by Rajaa Alsanea (completed 12/2/2008 - review)
  19. Kenya - Unbowed, by Wangari Maathai (completed 12/20/2008 - review)
  20. Albania - Broken April, by Ismail Kadare (completed 12/9/2008 - review)
Complete List of Countries Read (with links to reviews where available)
All "visits" are based on author's nationality, unless marked with an asterisk, which indicates "sense of place." 
 
 
Mexico - The Book of Lamentations (review) - Rosario Castellanos 

Central American and the Caribbean
Haiti - Breath, Eyes, Memory (review) - Edwidge Danticat

South America
Argentina - My Name is Light (review) - Elsa Osorio
Brazil* - A Death in Brazil (review) - Peter Robb
Chile - Daughter of Fortune (review) - Isabel Allende
Colombia - One Hundred Years of Solitude (review) - Gabriel Garcia Marquez
Peru - Aunt Julia and the Scriptwriter (review) - Mario Vargas Llosa

Africa 
Algeria - Women of Algiers in Their Apartment (review) - Assia Djebar
Congo/Brazzaville* - The Poisonwood Bible - Barbara Kingsolver
Egypt - The Yacoubian Building (review) - Alaa Al Aswany 
Kenya - Unbowed (review) - Wangari Maathai
Morocco - Stolen Lives (review) - Malika Oufkir
Nigeria - Half of a Yellow Sun (review) - Chimamanda Ngozi Adichie
Sierra Leone - A Long Way Gone: Memoirs of a Boy Soldier (review) - Ishmael Beah 
Somalia - Links (review) - Nuruddin Farah
South Africa - A Long Walk to Freedom (review) - Nelson Mandela
Sudan - The Translator (review) - Leila Aboulela
Zimbabwe - Don't Let's go to the Dogs Tonight - Alexandra Fuller

Europe 
Albania - Broken April (review) - Ismail Kadare
Austria - The Piano Teacher (review) - Elfriede Jelinek
Denmark - Smilla's Sense of Snow (review) - Peter Hoeg
France - Suite Francaise (review) - Irene Nemirovksy
Germany - Night - Elie Wiesel
Hungary - Embers (review) - Sandor Marai
Iceland - Independent People (review) - Halldor Laxness
Ireland – At Swim, Two Boys – Jamie O’Neill 
Italy - The Leopard (review) - Guiseppe Tomasi di Lampedusa
Netherlands* - Girl with a Pearl Earring - Tracy Chevalier
Norway - The Bookseller of Kabul (review) - Asne Seierstad
Poland – The PianistWladislaw Szpilman
Portugal - Baltasar and Blimunda  (review) - Jose Saramago
Russia - The Master and Margarita (review) - Mikhail Bulgakov 
Spain - The Shadow of the Wind (review) -  Carlos Ruiz Zafon
Sweden - Astrid and Veronika (review) - Linda Olsson 
United Kingdom - Black Swan Green - David Mitchell

Middle East
Afghanistan – The Kite Runner – Khaled Hosseini
Israel - A Woman in Jerusalem (review) - Abraham Yehoshua 
Saudia Arabia - Girls of Riyadh (review) - Rajaa Alsanea
Turkey - My Name is Red (review) - Orhan Pamuk

Asia
Bangladesh - Alentejo Blue (review) - Monica Ali
China - Balzac and the Little Chinese Seamstress - Daj Sijie
India - The Inheritance of Loss (review) - Kiran Desai
Japan* - Memoirs of a Geisha - Arthur Golden
Myanmar* - The Lizard Cage (review) - Karen Connelly
Pakistan - The Reluctant Fundamentalist (review) - Mohsin Hamid 
Sri Lanka - Mosquito (review) - Roma Tearne

Australia and Pacific
Australia - The Book Thief (review) - Markus Zusak
New Zealand - The Bone People (review) - Keri Hulme

The Shadow of the Wind

  • Nov. 21st, 2008 at 8:19 PM

The Shadow of the Wind
Carlos Ruiz Zafon
487 pages

As a young boy, Daniel Sempere's father takes him to the Cemetery of Forgotten Books, a secret place where the souls of books can be found. Daniel comes away with a copy of The Shadow of the Wind, by Spanish author Julian Carax. Daniel reads the book in one sitting and sets out to own all of the author's books. However, Carax is dead, and someone is mysteriously burning all of Carax's work. Daniel embarks on a quest to learn all he can about Carax and find the person destroying the books. This quest continues as Daniel moves through adolescence into young adulthood. Daniel has help from allies, including the owner of the "Cemetery" and a beggar he has rehabilitated through work in his father's book shop. At the same time, there are those who want to block Daniel's path, including an evil inspector and a mysterious disfigured man. Daniel's life follows a path uncannily similar to Carax in his youth, but the plot takes several twists on its way to revealing the truth about Carax and his books.

Set in Barcelona during the 1940s and 50s, The Shadow of the Wind takes place in a country filled with political unrest., which adds interest to the mystery. Carlos Ruiz Zafon introduces a myriad of characters, each with its own fascinating story. As links between characters are revealed, the pieces of the puzzle come together. However, this mystery was complex enough that there were surprises all the way through, and events towards the end were completely unpredictable. A very pleasurable read & highly recommended. ( )

Smilla's Sense of Snow

  • Nov. 14th, 2008 at 8:35 AM
Smilla's Sense of Snow
Peter Hoeg
453 pages

Smilla Jaspersen is a 37-year-old single woman born in Greenland to an Inuit mother and Danish father. The book opens with the seemingly accidental death of a young boy she befriended in her Denmark apartment building. Suspicious circumstances surrounding Isaiah's death prompt her to investigate, and she stops at nothing to find the truth. Her quest unearths a 1991 expedition to Greenland involving Isaiah's father, and a nearly identical journey 25 years earlier involving some of the same characters. What all of this has to do with Isaiah is a complex web full of bad guys, science, and a bit of romance.

Smilla is a strong, independent female protagonist. Her knowledge of the science behind the expedition allows her to learn the truth about Isaiah, and then some. And yet she is also vulnerable, with deep emotional needs she has suppressed for years. She is a real person, not a superhero, making this complex mystery believable. The plot twists and turns, introducing good guys who turn out to be bad guys, and dead bodies turning up at the most surprising moments. About 3/4 of the way through I trusted no one; I wasn't even sure about Smilla herself. Smilla's Sense of Snow was a real page-turner that had me constantly looking over my shoulder and checking the back seat of my car. Recommended. ( )

A Death in Brazil

  • Oct. 31st, 2008 at 9:24 AM
A Death in Brazil
Peter Robb
329 pages

A Death in Brazil is a deep dive into Brazilian history, culture, and politics. Peter Robb takes the reader on a wild ride of his own travels in the country, taking frequent detours as far back as the 16th century discuss the country's economic development and the impact of slavery. He also describes in great detail the drama of Brazilian politics in the 1990s, comparing it (rightly so, it seems) to popular television soap operas of the day.

This was an interesting view of a country whose culture and history I know little about. Robb is an excellent writer, able to bring his subject matter to life with colorful, vivid portrayals of the country and its people. Only two things detracted from this novel for me: first, Robb used italics when citing other sources; however, he did not use footnotes so it was often unclear whether the phrase was a citation, or was italicized for emphasis. Second, Robb would travel back in history without reference to dates. I often found myself consulting the chronology included as an appendix. While this was useful, the frequent need to do so was annoying after a time.

Nevertheless, for someone interested in an immersion in Brazilian culture, this is a well-written and informative book. ( )

Embers

  • Sep. 13th, 2008 at 4:10 PM
Embers
Sandor Marai
213 pages

Imagine spending 41 years of your life mostly alone, and left to ponder the events of one emotionally wrenching day. The book opens with Henrik, a 75-year-old retired general, awaiting the arrival of Konrad, a close friend from his youth whom he has not seen since that significant day. The first third of the book sets up their shared history which began as 10-year-old schoolboys who formed an unusually strong bond, because or in spite of their very different socioeconomic backgrounds. They spent their school days and their holidays together, and Konrad was accepted as a member of Henrik's family. On finishing school, they grew into adulthood together through military service, but their relationship ended abruptly.

With this foundation laid, the story picks up with Konrad arriving to have dinner with Henrik. The table is set exactly as it was the last time they were together. Past events unfold through Henrik's voice, as he seeks to learn more about Konrad's life and uncover the truth which has been the source of so much pain over the years. This pain has smoldered, like the embers of the title, consuming Henrik body and soul. As the meal and the night wear on, the nature of their conflict is revealed in tiny fragments leading to the inevitable conclusion.

Sandor Marai weaves a tale that is surprisingly compelling, since it is told through primarily through Henrik's one-sided conversation with Konrad. The narrative's emotional depth was surprising. All too often, male friendships are portrayed as superficial. It was the strength of their bond, and the searing pain felt by both Henrik and Konrad is precisely what makes Embers such a special work. ( )

Independent People

  • Aug. 29th, 2008 at 8:51 PM

Independent People
Halldor Laxness
470 pages

Independence is the most important thing of all in life. I say for my part that a man lives in vain until he is independent. (p. 29)

Bjartur of Summerhouses is an Icelandic crofter, having earned his independence after 18 years in service. He is a proud man who works hard and has little time for emotion: For once the crofter was rather at a loss for words, for to him nothing had ever been more completely unintelligible than the reasoning that is bred of tears. He disliked tears, had always disliked tears, had never understood them ...(p.296) Bjartur establishes his homestead, marries, and raises a family, but he is entirely focused on retaining and strengthening his independence, often at the expense of relationships. His children grow up uneducated and ill-prepared for the rapidly-changing world in the first half of the 20th century. Bjartur is conservative to the point of being reactionary, and refuses to acknowledge the realities brought on by politicians and economic conditions.

This epic novel takes place over many years, following Bjartur through good times and bad. Bjartur was not the most likeable character. His single-minded pursuit of independence and financial security meant that most of his family were unable to realize their full potential. Their emotional needs were largely unmet. And Bjartur experienced losses of his own, but It had never been a habit of his to lament over anything he lost; never nurture your grief, rather content yourself with what you have left...(p. 450)

While Independent People is sobering and often sad, I also found it moving. With its expansive scope and tough characters, it reminded me of John Steinbeck's East of Eden, which I also enjoyed. It is not an easy read, but is well worth the effort. ( )

The Sunday Salon: Reading Across Borders

  • Aug. 24th, 2008 at 6:15 AM
The Sunday Salon.comFor most of my reading life, I read books by English-speaking authors. I wasn't particularly aware of this bias until last year, when I came across book bloggers and LibraryThingers who were exploring wider horizons. This year, one of my reading goals is to read books from 20 new-to-me countries. I'm tracking my progress, complete with a handy map, here.

This month has been a particulary "global" one for me. Here's what I've read so far:

Portugal - Baltasar and Blimunda (review) - Jose Saramago


Austria - The Piano Teacher (review) - Elfriede Jelinek


Sri Lanka
- Mosquito (review) - Roma Tearne




I didn't particularly like the first two (in fact, I couldn't finish them!), but I loved Mosquito. Now, with my current read, I'm visiting Iceland: Independent People, by Halldor Laxness, and I'm intrigued by this story of Icelandic settlers trying to live off the land.


So ... (here's where you come in!) ... if I'm going to make my goal for the year, I need to "visit" 8 more countries. I have already chosen two:
  • Brazil - A Death in Brazil, by Peter Robb
  • Hungary - Kaddish for a Child Not Born, by Imre Kertész
Any ideas for the remaining 6? Do you have any favorite authors, or books, from countries I have yet to visit?
Happy reading everyone!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Join The Sunday Salon here.

Mosquito

  • Aug. 21st, 2008 at 8:38 AM
Mosquito
Roma Tearne
299 pages



Life in this paradise, he felt, was exactly as the beautiful mosquito that lived here, composed in equal parts of loveliness and deadliness. (p. 284)

Theo Samarajeeva is a successful Sri Lankan writer, who returned from London to his homeland after his wife's sudden death. He spends long, languorous days in his beach house, grieving, with only his servant Sugi as company. He is frequently visited by Nulani Mendis, a 17-year-old girl whose father was killed in a terrorist incident. Nulani is largely neglected by her mother, who is focused on her son's path to success through a British university scholarship. Nulani is a highly talented painter. The friendship between Nulani and Theo blossoms and, while he writes, she creates sketches, mostly of Theo. Eventually she paints his portrait. Theo, ostensibly acting as a mentor, takes Nulani to the city of Colombo to meet his artist friend Rohan, and Rohan's Italian wife Giulia. It's obvious to everyone but Theo that, despite their 28-year age difference, his relationship with Nulani has become more than just friendship.

However, Sri Lanka is also in the midst of civil war. Just as Theo and Nulani acknowledge their feelings for one another, violence explodes with dramatic impact on all of the characters. At this point Tearne shifts tone and pace, yanking the reader away from lazy seaside days into the suspenseful drama of terrorism, suicide bombings, and torture. Each character's story unfolds independently, at times heartbreaking and, at others, inspiring. I felt great sadness for the people of Sri Lanka and other countries affected by long-term civil war. But I also felt inspired by the hope and redemption in this beautifully-written debut novel.

Then, staring at the undulating phosphorescent water, he understood at last that freedom was a doubled-edged thing, which, like innocence lost, was unrecoverable. (p. 253)

( )

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